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MIDAS microphone pre-amps -the basis of the legendary Midas Sound. The overall sonic performance of any console can only ever be as good as the point where the incoming signal interfaces with it, namely the microphone pre-amplifier. MIDAS consoles therefore always incorporate the very best microphone pre-amps available, and Venice is no exception. Venice incorporates an updated version of the ground-breaking MIDAS XL3 microphone pre-amp, which uses MIDAS? own "long-tailed pair? circuitry. This means that the Venice pre-amp has ample headroom and gain range to accept both microphone and line-level signals without any pad or range switching.

With 32 input head amps the LS9-32 can comfortably handle the complex and varied source requirements presented by a wide range of live sound applications, but it's always reassuring to know that you can expand it up to 64 channels by just adding external preamps and Mini-YGDAI interface cards for those extra demanding line-ups. 32 mono mic/line input and 4 stereo input channels, expandable up to 64 channels in two layers. 16 mix buses, 8 matrix buses, plus stereo and mono buses with LCR mode. Compact and light enough for one person to move and set up easily.(19.4 kg) Virtual Rack packed with effects and EQ for just about any processing requirements.

Mackie designed the new DFX Series mixers for folks who don’t have the luxury of a front-of-house sound technician. Working professionals who have to control their own mix while making music and have to do their own set-up and tear-down. What does that mean? It means that Mackie has made the DFX 12 extremely easy to use. For example, if you have a front-of-house sound person to control your effects levels, they can locate a small knob and tweak it. But if you're on stage, it's a lot easier to grab a big, colour-coded fader. Plus you can see the fader positions from halfway across the stage. That’s the philosophy of the DFX Series: make it easy to control a mixer when you’re busy on stage. Channel faders are white. Effects and Monitor Sends are red, master levels faders are blue. The Tape/CD level fader is also white but separated from the channel faders.

SQ-7 is the 33-fader flagship console in the SQ series, powered by Allen & Heath’s revolutionary 96kHz XCVI FPGA engine. Created to excel in demanding scenarios such as AV, corporate events, live productions and houses of worship, SQ-7 offers pristine high-resolution audio quality and an ultra-low latency of <0.7ms. The console features 32 exceptional onboard mic preamps, plus 8 stereo FX engines with dedicated stereo return channels and access to the renowned RackExtra FX library. .